Our
Exhibition
2025, Paris
A Manifesto II, Paris
Exhibition Venue: Carrousel du Louvre Exhibition Hall, Paris, France
Exhibition Dates: Feb 08 - 09, 2025
Selected Artists: 30
Opening Ceremony Attendance: 5, 000+
Media coverage: 2000+
A Manifesto II, Paris
Exhibition Organiser:
World Federation of UNESCO Associations (WFUCA)
Association pour le Développement des Échanges France-Chine
Asian Academy of Arts
Exhibition Supporting Organization:
The Asia World Foundation
Curator: Tingting Fang
General Coordinator: Xiaoying Dong
Planning Coordinator: Zixuan Zhuang
Exhibition Execution: Xiaohui Ma, Yuzhen Sun, Xi Lin, Yuyan Xie, Qingling Li, Ruqin Yan, Aiqi Xu
Editorial Work: Shaoyue Wen, Xingyu Qian
Fashion Analysis: Jingzhen Xie
Maintenance: Ziran Luo
A Manifesto II: Redefining Artistic Boundaries at the Carrousel du Louvre
A Manifesto II took place at the prestigious Carrousel du Louvre on February 8-9, 2025, marking a new milestone in global contemporary art. Building upon the success of its 2023 predecessor, Boundless Borders, Marginalized Voices: A Manifesto, this latest edition reaffirmed its commitment to artistic agency, cultural intersection, and the fundamental freedom of expression. By securing one of the world’s most renowned venues once again, the exhibition underscored its growing significance as a dynamic platform for creative discourse and transnational artistic exchange.
A Grand Opening with Distinguished Guests
The opening attracted an international audience of over 5,000 visitors on its inaugural day, far exceeding expectations. Esteemed attendees included:
· Robert FOPA, Representative of the World Federation of UNESCO Clubs, Centers, and Associations
· Yading, Knight of the French Legion of Honor, writer, translator, and Chairman of ADEFC
Jean-Éric de Saint Luc, President of the International Tourism Federation
· André Deon, renowned French illustrator
· Robert Prosperini, Inspector General of the French Ministry of Education
· Françoise Monin, Editor-in-Chief of Artension Magazine
Additionally, the exhibition welcomed prominent artists, collectors, cultural luminaries, and key figures from the political and business sectors, highlighting its pivotal role in advancing contemporary artistic discourse and amplifying Asian artistic voices on the global stage.
A Diverse and Prestigious Roster of Artists
A Manifesto II featured an exceptional lineup of artists from China, the United Kingdom, the United States, and beyond, with works by creators affiliated with renowned institutions such as the Royal College of Art, Central Academy of Fine Arts, China Academy of Art, Goldsmiths University of London, Harvard University, MIT Media Lab, Columbia University, and the Russian State Academy of Arts.
Among the participating artists were Augustina Droze, Xinyu Chen, Xiaoying Dong, Weiyun Duan, Shiwei Guo, Feifan Hu, Li He, Yunming He, Qiliang Huang, Wei Jiang, Weizheng Li, Jiaxin Li, Ying Lu, Jozie Lin, Qingling Li, Yijing Miao, Yanna Ruan, Yuzhen Sun, Chang Shen, Rui Tao, Xinyi Tang, Renxiang Wang, Ying Xiao, Yuyan Xie, Yiqi Zhao, Tianchen Zhang, Yufei Zhang, Zheming Zhang, Shuang Zhao, Zixuan Zhuang.
An Esteemed Advisory Panel
The exhibition was supported by an esteemed advisory panel, including:
· Rémy Aron, President of the French Society of Artists
· André Deon, renowned French illustrator
· Françoise Monin, Editor-in-Chief of Artension
· Małgorzata Paszko, Polish impressionist painter and sculptor
· Augusto Freddi, Italian-Hungarian painter
· Emmanuel Genaud, French painter, designer, and sculptor
· Christophe Ronel, professor at the École Supérieure des Arts Appliqués
· Sophie Saint-Laurent, painter and sculptor
· Stéphane Bern, celebrated TV host, actor, and writer
· Nelson Monfort, renowned French television presenter
· Michèle Laroque, acclaimed actress and screenwriter
· Alexandra Lamy, distinguished filmmaker and actress
Celebrating Cultural Exchange: Chinese Tea Culture
In response to the growing global interest in Eastern aesthetics, A Manifesto II introduced a dedicated section on Chinese tea culture, using this ancient tradition as a bridge for cross-cultural dialogue. By highlighting the philosophical and aesthetic dimensions of tea, the exhibition paid tribute to China’s intangible cultural heritage, reinforcing its global influence. This integration of artistic expression with historical tradition underscored the evolving nature of cultural exchange in contemporary art.
A Lasting Impact on Global Artistic Discourse
The resounding success of A Manifesto II not only solidified the rising prominence of Asian contemporary art but also emphasized the fluid nature of global artistic exchange. Tingting Fang’s unparalleled ability to weave together artistic narratives from diverse cultural backgrounds positions her as an indispensable figure in contemporary art curation.
Beyond showcasing creative freedom, the exhibition posed critical questions: How can visibility for emerging artists be sustained in an ever-changing art world? How can global collaboration foster inclusivity in artistic representation? The discussions sparked by this landmark event will undoubtedly shape future curatorial practices and influence contemporary art’s cross-cultural engagement for years to come.
